12661
I will answer when I get back from lunch,I didn't know you had such a fiery temper. Is byrne a family name?Evidently.I liiiiive.ByrneGet hit by debris.SpoilerI'm heading out into the storm now
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to. 12661
I will answer when I get back from lunch,I didn't know you had such a fiery temper. Is byrne a family name?Evidently.I liiiiive.ByrneGet hit by debris. 12662
Evidently.I liiiiive.ByrneGet hit by debris. 12663
The Flood / Re: Does anyone else hump the bed when they sleep?« on: November 26, 2014, 06:40:20 AM »Your bed has a rape fetish?... I know your sly tricks.No.So you're saying that you don't hump the bed? Mine has some fucking odd "dependency fetish" it gets off on supporting me. Spoiler lol? 12664
The Flood / Re: Does anyone else hump the bed when they sleep?« on: November 26, 2014, 06:35:04 AM »... I know your sly tricks.No.So you're saying that you don't hump the bed? ![]() 12665
The Flood / Re: That's it, I'm leaving« on: November 26, 2014, 06:31:46 AM »yeah this isn't the real lpYou're not the real IP. 12666
The Flood / Re: Does anyone else hump the bed when they sleep?« on: November 26, 2014, 06:31:03 AM »No.So you're saying that you don't hump the bed? 12667
The Flood / Re: Does anyone else hump the bed when they sleep?« on: November 26, 2014, 06:28:49 AM »
Just you.
12668
No. You.fuck you 12669
The Flood / Re: Official Wikipedia articles thread« on: November 26, 2014, 05:47:21 AM »
Nuclear fission
From Wikipedia, the free encyclopedia "Splitting the atom" redirects here. For the EP, see Splitting the Atom. An induced fission reaction. A neutron is absorbed by a uranium-235 nucleus, turning it briefly into an excited uranium-236 nucleus, with the excitation energy provided by the kinetic energy of the neutron plus the forces that bind the neutron. The uranium-236, in turn, splits into fast-moving lighter elements (fission products) and releases three free neutrons. At the same time, one or more "prompt gamma rays" (not shown) are produced, as well. Nuclear physics NuclearReaction.png Nucleus · Nucleons (p, n) · Nuclear force · Nuclear reaction Nuclear models and stability[show] Nuclides' classification[show] Radioactive decay[show] Nuclear fission[show] Capturing processes[show] High energy processes[show] Nucleosynthesis topics[show] Scientists[show] v t e In nuclear physics and nuclear chemistry, nuclear fission is either a nuclear reaction or a radioactive decay process in which the nucleus of an atom splits into smaller parts (lighter nuclei). The fission process often produces free neutrons and photons (in the form of gamma rays), and releases a very large amount of energy even by the energetic standards of radioactive decay. Nuclear fission of heavy elements was discovered on December 17, 1938 by Otto Hahn and his assistant Fritz Strassmann, and explained theoretically in January 1939 by Lise Meitner and her nephew Otto Robert Frisch. Frisch named the process by analogy with biological fission of living cells. It is an exothermic reaction which can release large amounts of energy both as electromagnetic radiation and as kinetic energy of the fragments (heating the bulk material where fission takes place). In order for fission to produce energy, the total binding energy of the resulting elements must be less negative (higher energy) than that of the starting element. Fission is a form of nuclear transmutation because the resulting fragments are not the same element as the original atom. The two nuclei produced are most often of comparable but slightly different sizes, typically with a mass ratio of products of about 3 to 2, for common fissile isotopes.[1][2] Most fissions are binary fissions (producing two charged fragments), but occasionally (2 to 4 times per 1000 events), three positively charged fragments are produced, in a ternary fission. The smallest of these fragments in ternary processes ranges in size from a proton to an argon nucleus. Fission as encountered in the modern world is usually a deliberately produced man-made nuclear reaction induced by a neutron. It is less commonly encountered as a natural form of spontaneous radioactive decay (not requiring a neutron), occurring especially in very high-mass-number isotopes. The unpredictable composition of the products (which vary in a broad probabilistic and somewhat chaotic manner) distinguishes fission from purely quantum-tunnelling processes such as proton emission, alpha decay and cluster decay, which give the same products each time. Nuclear fission produces energy for nuclear power and drives the explosion of nuclear weapons. Both uses are possible because certain substances called nuclear fuels undergo fission when struck by fission neutrons, and in turn emit neutrons when they break apart. This makes possible a self-sustaining nuclear chain reaction that releases energy at a controlled rate in a nuclear reactor or at a very rapid uncontrolled rate in a nuclear weapon. The amount of free energy contained in nuclear fuel is millions of times the amount of free energy contained in a similar mass of chemical fuel such as gasoline, making nuclear fission a very dense source of energy. The products of nuclear fission, however, are on average far more radioactive than the heavy elements which are normally fissioned as fuel, and remain so for significant amounts of time, giving rise to a nuclear waste problem. Concerns over nuclear waste accumulation and over the destructive potential of nuclear weapons may counterbalance the desirable qualities of fission as an energy source, and give rise to ongoing political debate over nuclear power. Contents [hide] 1 Physical overview 1.1 Mechanism 1.2 Energetics 1.2.1 Input 1.2.2 Output 1.3 Product nuclei and binding energy 1.4 Origin of the active energy and the curve of binding energy 1.5 Chain reactions 1.6 Fission reactors 1.7 Fission bombs 2 History 2.1 Discovery of nuclear fission 2.2 Fission chain reaction realized 2.3 Manhattan Project and beyond 2.4 Natural fission chain-reactors on Earth 3 See also 4 Notes 5 References 6 External links Physical overview[edit] Mechanism[edit] A visual representation of an induced nuclear fission event where a slow-moving neutron is absorbed by the nucleus of a uranium-235 atom, which fissions into two fast-moving lighter elements (fission products) and additional neutrons. Most of the energy released is in the form of the kinetic velocities of the fission products and the neutrons. Fission product yields by mass for thermal neutron fission of U-235, Pu-239, a combination of the two typical of current nuclear power reactors, and U-233 used in the thorium cycle. Nuclear fission can occur without neutron bombardment as a type of radioactive decay. This type of fission (called spontaneous fission) is rare except in a few heavy isotopes. In engineered nuclear devices, essentially all nuclear fission occurs as a "nuclear reaction" — a bombardment-driven process that results from the collision of two subatomic particles. In nuclear reactions, a subatomic particle collides with an atomic nucleus and causes changes to it. Nuclear reactions are thus driven by the mechanics of bombardment, not by the relatively constant exponential decay and half-life characteristic of spontaneous radioactive processes. Many types of nuclear reactions are currently known. Nuclear fission differs importantly from other types of nuclear reactions, in that it can be amplified and sometimes controlled via a nuclear chain reaction (one type of general chain reaction). In such a reaction, free neutrons released by each fission event can trigger yet more events, which in turn release more neutrons and cause more fissions. The chemical element isotopes that can sustain a fission chain reaction are called nuclear fuels, and are said to be fissile. The most common nuclear fuels are 235U (the isotope of uranium with an atomic mass of 235 and of use in nuclear reactors) and 239Pu (the isotope of plutonium with an atomic mass of 239). These fuels break apart into a bimodal range of chemical elements with atomic masses centering near 95 and 135 u (fission products). Most nuclear fuels undergo spontaneous fission only very slowly, decaying instead mainly via an alpha/beta decay chain over periods of millennia to eons. In a nuclear reactor or nuclear weapon, the overwhelming majority of fission events are induced by bombardment with another particle, a neutron, which is itself produced by prior fission events. Nuclear fissions in fissile fuels are the result of the nuclear excitation energy produced when a fissile nucleus captures a neutron. This energy, resulting from the neutron capture, is a result of the attractive nuclear force acting between the neutron and nucleus. It is enough to deform the nucleus into a double-lobed "drop," to the point that nuclear fragments exceed the distances at which the nuclear force can hold two groups of charged nucleons together, and when this happens, the two fragments complete their separation and then are driven further apart by their mutually repulsive charges, in a process which becomes irreversible with greater and greater distance. A similar process occurs in fissionable isotopes (such as uranium-238), but in order to fission, these isotopes require additional energy provided by fast neutrons (such as those produced by nuclear fusion in thermonuclear weapons). The liquid drop model of the atomic nucleus predicts equal-sized fission products as an outcome of nuclear deformation. The more sophisticated nuclear shell model is needed to mechanistically explain the route to the more energetically favorable outcome, in which one fission product is slightly smaller than the other. A theory of the fission based on shell model has been formulated by Maria Goeppert Mayer. The most common fission process is binary fission, and it produces the fission products noted above, at 95±15 and 135±15 u. However, the binary process happens merely because it is the most probable. In anywhere from 2 to 4 fissions per 1000 in a nuclear reactor, a process called ternary fission produces three positively charged fragments (plus neutrons) and the smallest of these may range from so small a charge and mass as a proton (Z=1), to as large a fragment as argon (Z=18). The most common small fragments, however, are composed of 90% helium-4 nuclei with more energy than alpha particles from alpha decay (so-called "long range alphas" at ~ 16 MeV), plus helium-6 nuclei, and tritons (the nuclei of tritium). The ternary process is less common, but still ends up producing significant helium-4 and tritium gas buildup in the fuel rods of modern nuclear reactors.[3] Energetics[edit] Input[edit] The stages of binary fission in a liquid drop model. Energy input deforms the nucleus into a fat "cigar" shape, then a "peanut" shape, followed by binary fission as the two lobes exceed the short-range strong force attraction distance, then are pushed apart and away by their electrical charge. In the liquid drop model, the two fission fragments are predicted to be the same size. The nuclear shell model allows for them to differ in size, as usually experimentally observed. The fission of a heavy nucleus requires a total input energy of about 7 to 8 million electron volts (MeV) to initially overcome the strong force which holds the nucleus into a spherical or nearly spherical shape, and from there, deform it into a two-lobed ("peanut") shape in which the lobes are able to continue to separate from each other, pushed by their mutual positive charge, in the most common process of binary fission (two positively charged fission products + neutrons). Once the nuclear lobes have been pushed to a critical distance, beyond which the short range strong force can no longer hold them together, the process of their separation proceeds from the energy of the (longer range) electromagnetic repulsion between the fragments. The result is two fission fragments moving away from each other, at high energy. About 6 MeV of the fission-input energy is supplied by the simple binding of an extra neutron to the heavy nucleus via the strong force; however, in many fissionable isotopes, this amount of energy is not enough for fission. Uranium-238, for example, has a near-zero fission cross section for neutrons of less than one MeV energy. If no additional energy is supplied by any other mechanism, the nucleus will not fission, but will merely absorb the neutron, as happens when U-238 absorbs slow and even some fraction of fast neutrons, to become U-239. The remaining energy to initiate fission can be supplied by two other mechanisms: one of these is more kinetic energy of the incoming neutron, which is increasingly able to fission a fissionable heavy nucleus as it exceeds a kinetic energy of one MeV or more (so-called fast neutrons). Such high energy neutrons are able to fission U-238 directly (see thermonuclear weapon for application, where the fast neutrons are supplied by nuclear fusion). However, this process cannot happen to a great extent in a nuclear reactor, as too small a fraction of the fission neutrons produced by any type of fission have enough energy to efficiently fission U-238 (fission neutrons have a mode energy of 2 MeV, but a median of only 0.75 MeV, meaning half of them have less than this insufficient energy).[4] Among the heavy actinide elements, however, those isotopes that have an odd number of neutrons (such as U-235 with 143 neutrons) bind an extra neutron with an additional 1 to 2 MeV of energy over an isotope of the same element with an even number of neutrons (such as U-238 with 146 neutrons). This extra binding energy is made available as a result of the mechanism of neutron pairing effects. This extra energy results from the Pauli exclusion principle allowing an extra neutron to occupy the same nuclear orbital as the last neutron in the nucleus, so that the two form a pair. In such isotopes, therefore, no neutron kinetic energy is needed, for all the necessary energy is supplied by absorption of any neutron, either of the slow or fast variety (the former are used in moderated nuclear reactors, and the latter are used in fast neutron reactors, and in weapons). As noted above, the subgroup of fissionable elements that may be fissioned efficiently with their own fission neutrons (thus potentially causing a nuclear chain reaction in relatively small amounts of the pure material) are termed "fissile." Examples of fissile isotopes are U-235 and plutonium-239. Output[edit] Typical fission events release about two hundred million eV (200 MeV) of energy for each fission event. The exact isotope which is fissioned, and whether or not it is fissionable or fissile, has only a small impact on the amount of energy released. This can be easily seen by examining the curve of binding energy (image below), and noting that the average binding energy of the actinide nuclides beginning with uranium is around 7.6 MeV per nucleon. Looking further left on the curve of binding energy, where the fission products cluster, it is easily observed that the binding energy of the fission products tends to center around 8.5 MeV per nucleon. Thus, in any fission event of an isotope in the actinide's range of mass, roughly 0.9 MeV is released per nucleon of the starting element. The fission of U235 by a slow neutron yields nearly identical energy to the fission of U238 by a fast neutron. This energy release profile holds true for thorium and the various minor actinides as well.[5] By contrast, most chemical oxidation reactions (such as burning coal or TNT) release at most a few eV per event. So, nuclear fuel contains at least ten million times more usable energy per unit mass than does chemical fuel. The energy of nuclear fission is released as kinetic energy of the fission products and fragments, and as electromagnetic radiation in the form of gamma rays; in a nuclear reactor, the energy is converted to heat as the particles and gamma rays collide with the atoms that make up the reactor and its working fluid, usually water or occasionally heavy water or molten salts. When a uranium nucleus fissions into two daughter nuclei fragments, about 0.1 percent of the mass of the uranium nucleus[6] appears as the fission energy of ~200 MeV. For uranium-235 (total mean fission energy 202.5 MeV), typically ~169 MeV appears as the kinetic energy of the daughter nuclei, which fly apart at about 3% of the speed of light, due to Coulomb repulsion. Also, an average of 2.5 neutrons are emitted, with a mean kinetic energy per neutron of ~2 MeV (total of 4.8 MeV).[7] The fission reaction also releases ~7 MeV in prompt gamma ray photons. The latter figure means that a nuclear fission explosion or criticality accident emits about 3.5% of its energy as gamma rays, less than 2.5% of its energy as fast neutrons (total of both types of radiation ~ 6%), and the rest as kinetic energy of fission fragments (this appears almost immediately when the fragments impact surrounding matter, as simple heat). In an atomic bomb, this heat may serve to raise the temperature of the bomb core to 100 million kelvin and cause secondary emission of soft X-rays, which convert some of this energy to ionizing radiation. However, in nuclear reactors, the fission fragment kinetic energy remains as low-temperature heat, which itself causes little or no ionization. So-called neutron bombs (enhanced radiation weapons) have been constructed which release a larger fraction of their energy as ionizing radiation (specifically, neutrons), but these are all thermonuclear devices which rely on the nuclear fusion stage to produce the extra radiation. The energy dynamics of pure fission bombs always remain at about 6% yield of the total in radiation, as a prompt result of fission. The total prompt fission energy amounts to about 181 MeV, or ~ 89% of the total energy which is eventually released by fission over time. The remaining ~ 11% is released in beta decays which have various half-lives, but begin as a process in the fission products immediately; and in delayed gamma emissions associated with these beta decays. For example, in uranium-235 this delayed energy is divided into about 6.5 MeV in betas, 8.8 MeV in antineutrinos (released at the same time as the betas), and finally, an additional 6.3 MeV in delayed gamma emission from the excited beta-decay products (for a mean total of ~10 gamma ray emissions per fission, in all). Thus, about 6.5% of the total energy of fission is released some time after the event, as non-prompt or delayed ionizing radiation, and the delayed ionizing energy is about evenly divided between gamma and beta ray energy. In a reactor that has been operating for some time, the radioactive fission products will have built up to steady state concentrations such that their rate of decay is equal to their rate of formation, so that their fractional total contribution to reactor heat (via beta decay) is the same as these radioisotopic fractional contributions to the energy of fission. Under these conditions, the 6.5% of fission which appears as delayed ionizing radiation (delayed gammas and betas from radioactive fission products) contributes to the steady-state reactor heat production under power. It is this output fraction which remains when the reactor is suddenly shut down (undergoes scram). For this reason, the reactor decay heat output begins at 6.5% of the full reactor steady state fission power, once the reactor is shut down. However, within hours, due to decay of these isotopes, the decay power output is far less. See decay heat for detail. The remainder of the delayed energy (8.8 MeV/202.5 MeV = 4.3% of total fission energy) is emitted as antineutrinos, which as a practical matter, are not considered "ionizing radiation." The reason is that energy released as antineutrinos is not captured by the reactor material as heat, and escapes directly through all materials (including the Earth) at nearly the speed of light, and into interplanetary space (the amount absorbed is minuscule). Neutrino radiation is ordinarily not classed as ionizing radiation, because it is almost entirely not absorbed and therefore does not produce effects (although the very rare neutrino event is ionizing). Almost all of the rest of the radiation (6.5% delayed beta and gamma radiation) is eventually converted to heat in a reactor core or its shielding. Some processes involving neutrons are notable for absorbing or finally yielding energy — for example neutron kinetic energy does not yield heat immediately if the neutron is captured by a uranium-238 atom to breed plutonium-239, but this energy is emitted if the plutonium-239 is later fissioned. On the other hand, so-called delayed neutrons emitted as radioactive decay products with half-lives up to several minutes, from fission-daughters, are very important to reactor control, because they give a characteristic "reaction" time for the total nuclear reaction to double in size, if the reaction is run in a "delayed-critical" zone which deliberately relies on these neutrons for a supercritical chain-reaction (one in which each fission cycle yields more neutrons than it absorbs). Without their existence, the nuclear chain-reaction would be prompt critical and increase in size faster than it could be controlled by human intervention. In this case, the first experimental atomic reactors would have run away to a dangerous and messy "prompt critical reaction" before their operators could have manually shut them down (for this reason, designer Enrico Fermi included radiation-counter-triggered control rods, suspended by electromagnets, which could automatically drop into the center of Chicago Pile-1). If these delayed neutrons are captured without producing fissions, they produce heat as well.[8] Product nuclei and binding energy[edit] Main articles: fission product and fission product yield In fission there is a preference to yield fragments with even proton numbers, which is called the odd-even effect on the fragments charge distribution. However, no odd-even effect is observed on fragment mass number distribution. This result is attributed to nucleon pair breaking. In nuclear fission events the nuclei may break into any combination of lighter nuclei, but the most common event is not fission to equal mass nuclei of about mass 120; the most common event (depending on isotope and process) is a slightly unequal fission in which one daughter nucleus has a mass of about 90 to 100 u and the other the remaining 130 to 140 u.[9] Unequal fissions are energetically more favorable because this allows one product to be closer to the energetic minimum near mass 60 u (only a quarter of the average fissionable mass), while the other nucleus with mass 135 u is still not far out of the range of the most tightly bound nuclei (another statement of this, is that the atomic binding energy curve is slightly steeper to the left of mass 120 u than to the right of it). Origin of the active energy and the curve of binding energy[edit] The "curve of binding energy": A graph of binding energy per nucleon of common isotopes. Nuclear fission of heavy elements produces energy because the specific binding energy (binding energy per mass) of intermediate-mass nuclei with atomic numbers and atomic masses close to 62Ni and 56Fe is greater than the nucleon-specific binding energy of very heavy nuclei, so that energy is released when heavy nuclei are broken apart. The total rest masses of the fission products (Mp) from a single reaction is less than the mass of the original fuel nucleus (M). The excess mass Δm = M – Mp is the invariant mass of the energy that is released as photons (gamma rays) and kinetic energy of the fission fragments, according to the mass-energy equivalence formula E = mc2. The variation in specific binding energy with atomic number is due to the interplay of the two fundamental forces acting on the component nucleons (protons and neutrons) that make up the nucleus. Nuclei are bound by an attractive nuclear force between nucleons, which overcomes the electrostatic repulsion between protons. However, the nuclear force acts only over relatively short ranges (a few nucleon diameters), since it follows an exponentially decaying Yukawa potential which makes it insignificant at longer distances. The electrostatic repulsion is of longer range, since it decays by an inverse-square rule, so that nuclei larger than about 12 nucleons in diameter reach a point that the total electrostatic repulsion overcomes the nuclear force and causes them to be spontaneously unstable. For the same reason, larger nuclei (more than about eight nucleons in diameter) are less tightly bound per unit mass than are smaller nuclei; breaking a large nucleus into two or more intermediate-sized nuclei releases energy. The origin of this energy is the nuclear force, which intermediate-sized nuclei allows to act more efficiently, because each nucleon has more neighbors which are within the short range attraction of this force. Thus less energy is needed in the smaller nuclei and the difference to the state before is set free. Also because of the short range of the strong binding force, large stable nuclei must contain proportionally more neutrons than do the lightest elements, which are most stable with a 1 to 1 ratio of protons and neutrons. Nuclei which have more than 20 protons cannot be stable unless they have more than an equal number of neutrons. Extra neutrons stabilize heavy elements because they add to strong-force binding (which acts between all nucleons) without adding to proton–proton repulsion. Fission products have, on average, about the same ratio of neutrons and protons as their parent nucleus, and are therefore usually unstable to beta decay (which changes neutrons to protons) because they have proportionally too many neutrons compared to stable isotopes of similar mass. This tendency for fission product nuclei to beta-decay is the fundamental cause of the problem of radioactive high level waste from nuclear reactors. Fission products tend to be beta emitters, emitting fast-moving electrons to conserve electric charge, as excess neutrons convert to protons in the fission-product atoms. See Fission products (by element) for a description of fission products sorted by element. Chain reactions[edit] A schematic nuclear fission chain reaction. 1. A uranium-235 atom absorbs a neutron and fissions into two new atoms (fission fragments), releasing three new neutrons and some binding energy. 2. One of those neutrons is absorbed by an atom of uranium-238 and does not continue the reaction. Another neutron is simply lost and does not collide with anything, also not continuing the reaction. However, one neutron does collide with an atom of uranium-235, which then fissions and releases two neutrons and some binding energy. 3. Both of those neutrons collide with uranium-235 atoms, each of which fissions and releases between one and three neutrons, which can then continue the reaction. Main article: Nuclear chain reaction Several heavy elements, such as uranium, thorium, and plutonium, undergo both spontaneous fission, a form of radioactive decay and induced fission, a form of nuclear reaction. Elemental isotopes that undergo induced fission when struck by a free neutron are called fissionable; isotopes that undergo fission when struck by a thermal, slow moving neutron are also called fissile. A few particularly fissile and readily obtainable isotopes (notably 233U, 235U and 239Pu) are called nuclear fuels because they can sustain a chain reaction and can be obtained in large enough quantities to be useful. All fissionable and fissile isotopes undergo a small amount of spontaneous fission which releases a few free neutrons into any sample of nuclear fuel. Such neutrons would escape rapidly from the fuel and become a free neutron, with a mean lifetime of about 15 minutes before decaying to protons and beta particles. However, neutrons almost invariably impact and are absorbed by other nuclei in the vicinity long before this happens (newly created fission neutrons move at about 7% of the speed of light, and even moderated neutrons move at about 8 times the speed of sound). Some neutrons will impact fuel nuclei and induce further fissions, releasing yet more neutrons. If enough nuclear fuel is assembled in one place, or if the escaping neutrons are sufficiently contained, then these freshly emitted neutrons outnumber the neutrons that escape from the assembly, and a sustained nuclear chain reaction will take place. An assembly that supports a sustained nuclear chain reaction is called a critical assembly or, if the assembly is almost entirely made of a nuclear fuel, a critical mass. The word "critical" refers to a cusp in the behavior of the differential equation that governs the number of free neutrons present in the fuel: if less than a critical mass is present, then the amount of neutrons is determined by radioactive decay, but if a critical mass or more is present, then the amount of neutrons is controlled instead by the physics of the chain reaction. The actual mass of a critical mass of nuclear fuel depends strongly on the geometry and surrounding materials. Not all fissionable isotopes can sustain a chain reaction. For example, 238U, the most abundant form of uranium, is fissionable but not fissile: it undergoes induced fission when impacted by an energetic neutron with over 1 MeV of kinetic energy. However, too few of the neutrons produced by 238U fission are energetic enough to induce further fissions in 238U, so no chain reaction is possible with this isotope. Instead, bombarding 238U with slow neutrons causes it to absorb them (becoming 239U) and decay by beta emission to 239Np which then decays again by the same process to 239Pu; that process is used to manufacture 239Pu in breeder reactors. In-situ plutonium production also contributes to the neutron chain reaction in other types of reactors after sufficient plutonium-239 has been produced, since plutonium-239 is also a fissile element which serves as fuel. It is estimated that up to half of the power produced by a standard "non-breeder" reactor is produced by the fission of plutonium-239 produced in place, over the total life-cycle of a fuel load. Fissionable, non-fissile isotopes can be used as fission energy source even without a chain reaction. Bombarding 238U with fast neutrons induces fissions, releasing energy as long as the external neutron source is present. This is an important effect in all reactors where fast neutrons from the fissile isotope can cause the fission of nearby 238U nuclei, which means that some small part of the 238U is "burned-up" in all nuclear fuels, especially in fast breeder reactors that operate with higher-energy neutrons. That same fast-fission effect is used to augment the energy released by modern thermonuclear weapons, by jacketing the weapon with 238U to react with neutrons released by nuclear fusion at the center of the device. Fission reactors[edit] The cooling towers of the Philippsburg Nuclear Power Plant, in Germany. Critical fission reactors are the most common type of nuclear reactor. In a critical fission reactor, neutrons produced by fission of fuel atoms are used to induce yet more fissions, to sustain a controllable amount of energy release. Devices that produce engineered but non-self-sustaining fission reactions are subcritical fission reactors. Such devices use radioactive decay or particle accelerators to trigger fissions. Critical fission reactors are built for three primary purposes, which typically involve different engineering trade-offs to take advantage of either the heat or the neutrons produced by the fission chain reaction: power reactors are intended to produce heat for nuclear power, either as part of a generating station or a local power system such as a nuclear submarine. research reactors are intended to produce neutrons and/or activate radioactive sources for scientific, medical, engineering, or other research purposes. breeder reactors are intended to produce nuclear fuels in bulk from more abundant isotopes. The better known fast breeder reactor makes 239Pu (a nuclear fuel) from the naturally very abundant 238U (not a nuclear fuel). Thermal breeder reactors previously tested using 232Th to breed the fissile isotope 233U (thorium fuel cycle) continue to be studied and developed. While, in principle, all fission reactors can act in all three capacities, in practice the tasks lead to conflicting engineering goals and most reactors have been built with only one of the above tasks in mind. (There are several early counter-examples, such as the Hanford N reactor, now decommissioned). Power reactors generally convert the kinetic energy of fission products into heat, which is used to heat a working fluid and drive a heat engine that generates mechanical or electrical power. The working fluid is usually water with a steam turbine, but some designs use other materials such as gaseous helium. Research reactors produce neutrons that are used in various ways, with the heat of fission being treated as an unavoidable waste product. Breeder reactors are a specialized form of research reactor, with the caveat that the sample being irradiated is usually the fuel itself, a mixture of 238U and 235U. For a more detailed description of the physics and operating principles of critical fission reactors, see nuclear reactor physics. For a description of their social, political, and environmental aspects, see nuclear power. Fission bombs[edit] The mushroom cloud of the atom bomb dropped on Nagasaki, Japan in 1945 rose some 18 kilometres (11 mi) above the bomb's hypocenter. The bomb killed at least 60,000 people.[10] One class of nuclear weapon, a fission bomb (not to be confused with the fusion bomb), otherwise known as an atomic bomb or atom bomb, is a fission reactor designed to liberate as much energy as possible as rapidly as possible, before the released energy causes the reactor to explode (and the chain reaction to stop). Development of nuclear weapons was the motivation behind early research into nuclear fission: the Manhattan Project of the U.S. military during World War II carried out most of the early scientific work on fission chain reactions, culminating in the Trinity test bomb and the Little Boy and Fat Man bombs that were exploded over the cities Hiroshima, and Nagasaki, Japan in August 1945. Even the first fission bombs were thousands of times more explosive than a comparable mass of chemical explosive. For example, Little Boy weighed a total of about four tons (of which 60 kg was nuclear fuel) and was 11 feet (3.4 m) long; it also yielded an explosion equivalent to about 15 kilotons of TNT, destroying a large part of the city of Hiroshima. Modern nuclear weapons (which include a thermonuclear fusion as well as one or more fission stages) are hundreds of times more energetic for their weight than the first pure fission atomic bombs (see nuclear weapon yield), so that a modern single missile warhead bomb weighing less than 1/8 as much as Little Boy (see for example W88) has a yield of 475,000 tons of TNT, and could bring destruction to about 10 times the city area. While the fundamental physics of the fission chain reaction in a nuclear weapon is similar to the physics of a controlled nuclear reactor, the two types of device must be engineered quite differently (see nuclear reactor physics). A nuclear bomb is designed to release all its energy at once, while a reactor is designed to generate a steady supply of useful power. While overheating of a reactor can lead to, and has led to, meltdown and steam explosions, the much lower uranium enrichment makes it impossible for a nuclear reactor to explode with the same destructive power as a nuclear weapon. It is also difficult to extract useful power from a nuclear bomb, although at least one rocket propulsion system, Project Orion, was intended to work by exploding fission bombs behind a massively padded and shielded spacecraft. The strategic importance of nuclear weapons is a major reason why the technology of nuclear fission is politically sensitive. Viable fission bomb designs are, arguably, within the capabilities of many being relatively simple from an engineering viewpoint. However, the difficulty of obtaining fissile nuclear material to realize the designs, is the key to the relative unavailability of nuclear weapons to all but modern industrialized governments with special programs to produce fissile materials (see uranium enrichment and nuclear fuel cycle). History[edit] Discovery of nuclear fission[edit] The discovery of nuclear fission occurred in 1938 in the buildings of Kaiser Wilhelm Society for Chemistry, today part of the Free University of Berlin, following nearly five decades of work on the science of radioactivity and the elaboration of new nuclear physics that described the components of atoms. In 1911, Ernest Rutherford proposed a model of the atom in which a very small, dense and positively charged nucleus of protons (the neutron had not yet been discovered) was surrounded by orbiting, negatively charged electrons (the Rutherford model).[11] Niels Bohr improved upon this in 1913 by reconciling the quantum behavior of electrons (the Bohr model). Work by Henri Becquerel, Marie Curie, Pierre Curie, and Rutherford further elaborated that the nucleus, though tightly bound, could undergo different forms of radioactive decay, and thereby transmute into other elements. (For example, by alpha decay: the emission of an alpha particle—two protons and two neutrons bound together into a particle identical to a helium nucleus.) Some work in nuclear transmutation had been done. In 1917, Rutherford was able to accomplish transmutation of nitrogen into oxygen, using alpha particles directed at nitrogen 14N + α → 17O + p. This was the first observation of a nuclear reaction, that is, a reaction in which particles from one decay are used to transform another atomic nucleus. Eventually, in 1932, a fully artificial nuclear reaction and nuclear transmutation was achieved by Rutherford's colleagues Ernest Walton and John Cockcroft, who used artificially accelerated protons against lithium-7, to split this nucleus into two alpha particles. The feat was popularly known as "splitting the atom", although it was not the modern nuclear fission reaction later discovered in heavy elements, which is discussed below.[12] Meanwhile, the possibility of combining nuclei—nuclear fusion—had been studied in connection with understanding the processes which power stars. The first artificial fusion reaction had been achieved by Mark Oliphant in 1932, using two accelerated deuterium nuclei (each consisting of a single proton bound to a single neutron) to create a helium nucleus.[13] After English physicist James Chadwick discovered the neutron in 1932,[14] Enrico Fermi and his colleagues in Rome studied the results of bombarding uranium with neutrons in 1934.[15] Fermi concluded that his experiments had created new elements with 93 and 94 protons, which the group dubbed ausonium and hesperium. However, not all were convinced by Fermi's analysis of his results. The German chemist Ida Noddack notably suggested in print in 1934 that instead of creating a new, heavier element 93, that "it is conceivable that the nucleus breaks up into several large fragments."[16][17] However, Noddack's conclusion was not pursued at the time. The experimental apparatus with which Otto Hahn and Fritz Strassmann discovered nuclear fission in 1938 After the Fermi publication, Otto Hahn, Lise Meitner, and Fritz Strassmann began performing similar experiments in Berlin. Meitner, an Austrian Jew, lost her citizenship with the "Anschluss", the occupation and annexation of Austria into Nazi Germany in March 1938, but she fled in July 1938 to Sweden and started a correspondence by mail with Hahn in Berlin. By coincidence, her nephew Otto Robert Frisch, also a refugee, was also in Sweden when Meitner received a letter from Hahn dated 19 December describing his chemical proof that some of the product of the bombardment of uranium with neutrons was barium. Hahn suggested a bursting of the nucleus, but he was unsure of what the physical basis for the results were. Barium had an atomic mass 40% less than uranium, and no previously known methods of radioactive decay could account for such a large difference in the mass of the nucleus. Frisch was skeptical, but Meitner trusted Hahn's ability as a chemist. Marie Curie had been separating barium from radium for many years, and the techniques were well-known. According to Frisch: Was it a mistake? No, said Lise Meitner; Hahn was too good a chemist for that. But how could barium be formed from uranium? No larger fragments than protons or helium nuclei (alpha particles) had ever been chipped away from nuclei, and to chip off a large number not nearly enough energy was available. Nor was it possible that the uranium nucleus could have been cleaved right across. A nucleus was not like a brittle solid that can be cleaved or broken; George Gamow had suggested early on, and Bohr had given good arguments that a nucleus was much more like a liquid drop. Perhaps a drop could divide itself into two smaller drops in a more gradual manner, by first becoming elongated, then constricted, and finally being torn rather than broken in two? We knew that there were strong forces that would resist such a process, just as the surface tension of an ordinary liquid drop tends to resist its division into two smaller ones. But nuclei differed from ordinary drops in one important way: they were electrically charged, and that was known to counteract the surface tension. The charge of a uranium nucleus, we found, was indeed large enough to overcome the effect of the surface tension almost completely; so the uranium nucleus might indeed resemble a very wobbly unstable drop, ready to divide itself at the slightest provocation, such as the impact of a single neutron. But there was another problem. After separation, the two drops would be driven apart by their mutual electric repulsion and would acquire high speed and hence a very large energy, about 200 MeV in all; where could that energy come from? ...Lise Meitner... worked out that the two nuclei formed by the division of a uranium nucleus together would be lighter than the original uranium nucleus by about one-fifth the mass of a proton. Now whenever mass disappears energy is created, according to Einstein's formula E=mc2, and one-fifth of a proton mass was just equivalent to 200MeV. So here was the source for that energy; it all fitted![18] In short, Meitner and Frisch had correctly interpreted Hahn's results to mean that the nucleus of uranium had split roughly in half. Frisch suggested the process be named "nuclear fission," by analogy to the process of living cell division into two cells, which was then called binary fission. Just as the term nuclear "chain reaction" would later be borrowed from chemistry, so the term "fission" was borrowed from biology. On 22 December 1938, Hahn and Strassmann sent a manuscript to Naturwissenschaften reporting that they had discovered the element barium after bombarding uranium with neutrons.[19] Simultaneously, they communicated these results to Meitner in Sweden. She and Frisch correctly interpreted the results as evidence of nuclear fission.[20] Frisch confirmed this experimentally on 13 January 1939.[21][22] For proving that the barium resulting from his bombardment of uranium with neutrons was the product of nuclear fission, Hahn was awarded the Nobel Prize for Chemistry in 1944 (the sole recipient) "for his discovery of the fission of heavy nuclei". (The award was actually given to Hahn in 1945, as "the Nobel Committee for Chemistry decided that none of the year's nominations met the criteria as outlined in the will of Alfred Nobel." In such cases, the Nobel Foundation's statutes permit that year's prize be reserved until the following year.)[23] German stamp honoring Otto Hahn and his discovery of nuclear fission (1979) News spread quickly of the new discovery, which was correctly seen as an entirely novel physical effect with great scientific—and potentially practical—possibilities. Meitner’s and Frisch’s interpretation of the discovery of Hahn and Strassmann crossed the Atlantic Ocean with Niels Bohr, who was to lecture at Princeton University. I.I. Rabi and Willis Lamb, two Columbia University physicists working at Princeton, heard the news and carried it back to Columbia. Rabi said he told Enrico Fermi; Fermi gave credit to Lamb. Bohr soon thereafter went from Princeton to Columbia to see Fermi. Not finding Fermi in his office, Bohr went down to the cyclotron area and found Herbert L. Anderson. Bohr grabbed him by the shoulder and said: “Young man, let me explain to you about something new and exciting in physics.”[24] It was clear to a number of scientists at Columbia that they should try to detect the energy released in the nuclear fission of uranium from neutron bombardment. On 25 January 1939, a Columbia University team conducted the first nuclear fission experiment in the United States,[25] which was done in the basement of Pupin Hall; the members of the team were Herbert L. Anderson, Eugene T. Booth, John R. Dunning, Enrico Fermi, G. Norris Glasoe, and Francis G. Slack. The experiment involved placing uranium oxide inside of an ionization chamber and irradiating it with neutrons, and measuring the energy thus released. The results confirmed that fission was occurring and hinted strongly that it was the isotope uranium 235 in particular that was fissioning. The next day, the Fifth Washington Conference on Theoretical Physics began in Washington, D.C. under the joint auspices of the George Washington University and the Carnegie Institution of Washington. There, the news on nuclear fission was spread even further, which fostered many more experimental demonstrations.[26] During this period the Hungarian physicist Leó Szilárd, who was residing in the United States at the time, realized that the neutron-driven fission of heavy atoms could be used to create a nuclear chain reaction. Such a reaction using neutrons was an idea he had first formulated in 1933, upon reading Rutherford's disparaging remarks about generating power from his team's 1932 experiment using protons to split lithium. However, Szilárd had not been able to achieve a neutron-driven chain reaction with neutron-rich light atoms. In theory, if in a neutron-driven chain reaction the number of secondary neutrons produced was greater than one, then each such reaction could trigger multiple additional reactions, producing an exponentially increasing number of reactions. It was thus a possibility that the fission of uranium could yield vast amounts of energy for civilian or military purposes (i.e., electric power generation or atomic bombs). Szilard now urged Fermi (in New York) and Frédéric Joliot-Curie (in Paris) to refrain from publishing on the possibility of a chain reaction, lest the Nazi government become aware of the possibilities on the eve of what would later be known as World War II. With some hesitation Fermi agreed to self-censor. But Joliot-Curie did not, and in April 1939 his team in Paris, including Hans von Halban and Lew Kowarski, reported in the journal Nature that the number of neutrons emitted with nuclear fission of 235U was then reported at 3.5 per fission.[27] (They later corrected this to 2.6 per fission.) Simultaneous work by Szilard and Walter Zinn confirmed these results. The results suggested the possibility of building nuclear reactors (first called "neutronic reactors" by Szilard and Fermi) and even nuclear bombs. However, much was still unknown about fission and chain reaction systems. Fission chain reaction realized[edit] Drawing of the first artificial reactor, Chicago Pile-1. "Chain reactions" at that time were a known phenomenon in chemistry, but the analogous process in nuclear physics, using neutrons, had been foreseen as early as 1933 by Szilárd, although Szilárd at that time had no idea with what materials the process might be initiated. Szilárd considered that neutrons would be ideal for such a situation, since they lacked an electrostatic charge. With the news of fission neutrons from uranium fission, Szilárd immediately understood the possibility of a nuclear chain reaction using uranium. In the summer, Fermi and Szilard proposed the idea of a nuclear reactor (pile) to mediate this process. The pile would use natural uranium as fuel. Fermi had shown much earlier that neutrons were far more effectively captured by atoms if they were of low energy (so-called "slow" or "thermal" neutrons), because for quantum reasons it made the atoms look like much larger targets to the neutrons. Thus to slow down the secondary neutrons released by the fissioning uranium nuclei, Fermi and Szilard proposed a graphite "moderator," against which the fast, high-energy secondary neutrons would collide, effectively slowing them down. With enough uranium, and with pure-enough graphite, their "pile" could theoretically sustain a slow-neutron chain reaction. This would result in the production of heat, as well as the creation of radioactive fission products. In August 1939, Szilard and fellow Hungarian refugees physicists Teller and Wigner thought that the Germans might make use of the fission chain reaction and were spurred to attempt to attract the attention of the United States government to the issue. Towards this, they persuaded German-Jewish refugee Albert Einstein to lend his name to a letter directed to President Franklin Roosevelt. The Einstein–Szilárd letter suggested the possibility of a uranium bomb deliverable by ship, which would destroy "an entire harbor and much of the surrounding countryside." The President received the letter on 11 October 1939 — shortly after World War II began in Europe, but two years before U.S. entry into it. Roosevelt ordered that a scientific committee be authorized for overseeing uranium work and allocated a small sum of money for pile research. In England, James Chadwick proposed an atomic bomb utilizing natural uranium, based on a paper by Rudolf Peierls with the mass needed for critical state being 30–40 tons. In America, J. Robert Oppenheimer thought that a cube of uranium deuteride 10 cm on a side (about 11 kg of uranium) might "blow itself to hell." In this design it was still thought that a moderator would need to be used for nuclear bomb fission (this turned out not to be the case if the fissile isotope was separated). In December, Werner Heisenberg delivered a report to the German Ministry of War on the possibility of a uranium bomb. Most of these models were still under the assumption that the bombs would be powered by slow neutron reactions—and thus be similar to a reactor undergoing a meltdown. In Birmingham, England, Frisch teamed up with Peierls, a fellow German-Jewish refugee. They had the idea of using a purified mass of the uranium isotope 235U, which had a cross section just determined, and which was much larger than that of 238U or natural uranium (which is 99.3% the latter isotope). Assuming that the cross section for fast-neutron fission of 235U was the same as for slow neutron fission, they determined that a pure 235U bomb could have a critical mass of only 6 kg instead of tons, and that the resulting explosion would be tremendous. (The amount actually turned out to be 15 kg, although several times this amount was used in the actual uranium (Little Boy) bomb). In February 1940 they delivered the Frisch–Peierls memorandum. Ironically, they were still officially considered "enemy aliens" at the time. Glenn Seaborg, Joseph W. Kennedy, Arthur Wahl and Italian-Jewish refugee Emilio Segrè shortly thereafter discovered 239Pu in the decay products of 239U produced by bombarding 238U with neutrons, and determined it to be a fissile material, like 235U. The possibility of isolating uranium-235 was technically daunting, because uranium-235 and uranium-238 are chemically identical, and vary in their mass by only the weight of three neutrons. However, if a sufficient quantity of uranium-235 could be isolated, it would allow for a fast neutron fission chain reaction. This would be extremely explosive, a true "atomic bomb." The discovery that plutonium-239 could be produced in a nuclear reactor pointed towards another approach to a fast neutron fission bomb. Both approaches were extremely novel and not yet well understood, and there was considerable scientific skepticism at the idea that they could be developed in a short amount of time. On June 28, 1941, the Office of Scientific Research and Development was formed in the U.S. to mobilize scientific resources and apply the results of research to national defense. In September, Fermi assembled his first nuclear "pile" or reactor, in an attempt to create a slow neutron-induced chain reaction in uranium, but the experiment failed to achieve criticality, due to lack of proper materials, or not enough of the proper materials which were available. Producing a fission chain reaction in natural uranium fuel was found to be far from trivial. Early nuclear reactors did not use isotopically enriched uranium, and in consequence they were required to use large quantities of highly purified graphite as neutron moderation materials. Use of ordinary water (as opposed to heavy water) in nuclear reactors requires enriched fuel — the partial separation and relative enrichment of the rare 235U isotope from the far more common 238U isotope. Typically, reactors also require inclusion of extremely chemically pure neutron moderator materials such as deuterium (in heavy water), helium, beryllium, or carbon, the latter usually as graphite. (The high purity for carbon is required because many chemical impurities such as the boron-10 component of natural boron, are very strong neutron absorbers and thus poison the chain reaction and end it prematurely.) Production of such materials at industrial scale had to be solved for nuclear power generation and weapons production to be accomplished. Up to 1940, the total amount of uranium metal produced in the USA was not more than a few grams, and even this was of doubtful purity; of metallic beryllium not more than a few kilograms; and concentrated deuterium oxide (heavy water) not more than a few kilograms. Finally, carbon had never been produced in quantity with anything like the purity required of a moderator. The problem of producing large amounts of high purity uranium was solved by Frank Spedding using the thermite or "Ames" process. Ames Laboratory was established in 1942 to produce the large amounts of natural (unenriched) uranium metal that would be necessary for the research to come. The critical nuclear chain-reaction success of the Chicago Pile-1 (December 2, 1942) which used unenriched (natural) uranium, like all of the atomic "piles" which produced the plutonium for the atomic bomb, was also due specifically to Szilard's realization that very pure graphite could be used for the moderator of even natural uranium "piles". In wartime Germany, failure to appreciate the qualities of very pure graphite led to reactor designs dependent on heavy water, which in turn was denied the Germans by Allied attacks in Norway, where heavy water was produced. These difficulties—among many others— prevented the Nazis from building a nuclear reactor capable of criticality during the war, although they never put as much effort as the United States into nuclear research, focusing on other technologies (see German nuclear energy project for more details). Manhattan Project and beyond[edit] See also: Manhattan Project In the United States, an all-out effort for making atomic weapons was begun in late 1942. This work was taken over by the U.S. Army Corps of Engineers in 1943, and known as the Manhattan Engineer District. The top-secret Manhattan Project, as it was colloquially known, was led by General Leslie R. Groves. Among the project's dozens of sites were: Hanford Site in Washington state, which had the first industrial-scale nuclear reactors; Oak Ridge, Tennessee, which was primarily concerned with uranium enrichment; and Los Alamos, in New Mexico, which was the scientific hub for research on bomb development and design. Other sites, notably the Berkeley Radiation Laboratory and the Metallurgical Laboratory at the University of Chicago, played important contributing roles. Overall scientific direction of the project was managed by the physicist J. Robert Oppenheimer. In July 1945, the first atomic bomb, dubbed "Trinity", was detonated in the New Mexico desert. It was fueled by plutonium created at Hanford. In August 1945, two more atomic bombs—"Little Boy", a uranium-235 bomb, and "Fat Man", a plutonium bomb—were used against the Japanese cities of Hiroshima and Nagasaki. In the years after World War II, many countries were involved in the further development of nuclear fission for the purposes of nuclear reactors and nuclear weapons. The UK opened the first commercial nuclear power plant in 1956. In 2013, there are 437 reactors in 31 countries. Natural fission chain-reactors on Earth[edit] Criticality in nature is uncommon. At three ore deposits at Oklo in Gabon, sixteen sites (the so-called Oklo Fossil Reactors) have been discovered at which self-sustaining nuclear fission took place approximately 2 billion years ago. Unknown until 1972 (but postulated by Paul Kuroda in 1956[28]), when French physicist Francis Perrin discovered the Oklo Fossil Reactors, it was realized that nature had beaten humans to the punch. Large-scale natural uranium fission chain reactions, moderated by normal water, had occurred far in the past and would not be possible now. This ancient process was able to use normal water as a moderator only because 2 billion years before the present, natural uranium was richer in the shorter-lived fissile isotope 235U (about 3%), than natural uranium available today (which is only 0.7%, and must be enriched to 3% to be usable in light-water reactors). 12670
The Flood / Re: Official Wikipedia articles thread« on: November 26, 2014, 05:45:23 AM »
Anime
From Wikipedia, the free encyclopedia "Animé" redirects here. For the oleo-resin, see Animé (oleo-resin). Page semi-protectedPage semi-protected Part of a series on Anime and Manga Anime eye.svg Anime History Industry Original net animation Original video animation Fansub Fandub Companies Longest series Manga History International market Mangaka (list) Dōjinshi Scanlation Publishers Best-selling series Longest series Alternative Demographic groups Children Shōnen Shōjo Seinen Josei Genres Harem Magical girl Mecha Yaoi Yuri Others Selected biographies Mitsuru Adachi Fujio Akatsuka George Akiyama Hideaki Anno Hideo Azuma Clamp Osamu Dezaki Hisashi Eguchi Tetsuo Hara Yukinobu Hoshino Ryoichi Ikegami Kunihiko Ikuhara Ken Ishikawa Shotaro Ishinomori Ikki Kajiwara Tomoharu Katsumata Yoshiaki Kawajiri Shōji Kawamori Rakuten Kitazawa Kazuo Koike Satoshi Kon Masami Kurumada Kōichi Mashimo Katsuji Matsumoto Leiji Matsumoto Hayao Miyazaki Shigeru Mizuki Hideko Mizuno Shinji Mizushima Daijiro Morohoshi Tadao Nagahama Go Nagai Shinji Nagashima Daisuke Nishio Eiichiro Oda Kyoko Okazaki Mamoru Oshii Katsuhiro Otomo Rintaro Takao Saito Hiroshi Sasagawa Junichi Sato Sanpei Shirato Masamune Shirow Gisaburō Sugii Isao Takahata Osamu Tezuka Akira Toriyama Year 24 Group Tatsuo Yoshida Fandom Conventions (list, attendance) Clubs Cosplay Anime music video Otaku Yaoi fandom General Omake Terminology Iconography Anime and Manga Portal v t e Anime (Japanese: アニメ?, [anime] ( listen); English Listeni/ˈænɨmeɪ/) are Japanese animated productions usually featuring hand-drawn or computer animation. The word is the abbreviated pronunciation of "animation" in Japanese, where this term references all animation.[1] In other languages, the term is defined as animation from Japan or as a Japanese-disseminated animation style often characterized by colorful graphics, vibrant characters and fantastic themes.[2][3] Arguably, the stylization approach to the meaning may open up the possibility of anime produced in countries other than Japan.[4][5][6] For simplicity, many Westerners strictly view anime as an animation product from Japan.[3] The earliest commercial Japanese animation dates to 1917, and production of anime works in Japan has since continued to increase steadily. The characteristic anime art style emerged in the 1960s with the works of Osamu Tezuka and spread internationally in the late twentieth century, developing a large domestic and international audience. Anime is distributed theatrically, by television broadcasts, directly to home media, and over the internet and is classified into numerous genres targeting diverse broad and niche audiences. Anime is a diverse art form with distinctive production methods and techniques that have been adapted over time in response to emergent technologies. The production of anime focuses less on the animation of movement and more on the realism of settings as well as the use of camera effects, including panning, zooming and angle shots. Diverse art styles are used and character proportions and features can be quite varied, including characteristically large emotive or realistically sized eyes. The anime industry consists of over 430 production studios including major names like Studio Ghibli, Gainax and Toei Animation. Despite having a fraction of the domestic film market, anime achieves a majority of DVD sales and has been an international success after the rise of televised English dubs. This rise in international popularly has resulted in non-Japanese productions using the anime art style, but these works have been defined as anime-influenced animation by both fans and the industry. Contents [hide] 1 Definition and usage 2 Format 3 History 4 Genres 5 Attributes 5.1 Animation technique 5.2 Characters 5.3 Music 6 Industry 6.1 Awards 7 Influence on world culture 7.1 Fan response 7.2 Anime style 8 See also 9 References 10 External links Definition and usage Anime is an art form, specifically animation, that includes all genres found in cinema, but it can be mistakenly classified as a genre.[7]:7 In Japan, the term anime refers to all forms of animation from around the world.[1][8] English-language dictionaries define anime as a "Japanese-style animated film or television entertainment" or as "a style of animation created in Japan".[2][9] The etymology of the word anime is disputed. The English term "animation" is written in Japanese katakana as アニメーション (animēshon, pronounced [animeːɕoɴ]),[3] and is アニメ (anime) in its shortened form.[3] Some sources claim that anime derives from the French term for animation, dessin animé,[10][11] but others believe this to be a myth derived from the French popularity of the medium in the late 1970s and 1980s.[3] In English, anime, when used as a common noun, normally functions as a mass noun (for example: "Do you watch anime?", "How much anime have you collected?").[12] Prior to the widespread use of anime, the term Japanimation was prevalent throughout the 1970s and 1980s. In the mid-1980s, the term anime began to supplant Japanimation.[10][13] In general, the term now only appears in period works where it is used to distinguish and identify Japanese animation.[13] In 1987, Hayao Miyazaki stated that he despised the truncated word "Anime" because to him it represented the desolation of the Japanese animation industry. He equated the desolation with animators lacking motivation and mass-produced, overly expressive products which rely on fixed iconography for facial expressions and protracted and exaggerated action scenes but lack depth and sophistication because they do not attempt to convey emotion or thought.[14] Format The first format of anime was theatrical viewing which originally began with commercial productions in 1917.[15] Originally the animated flips were crude and required played musical components before adding sound and vocal components to the production. On July 14, 1958, Nippon Television aired Mole's Adventure, both the first televised and first color anime to debut.[16] It wasn't until the 1960s when the first televised series were broadcast and it has remained a popular medium since.[7]:13 Works released in a direct to video format are called "original video animation" (OVA) or "original animation video" (OAV); and are typically not released theatrically or televised prior to home media release.[7]:14[17] The emergence of the internet has led some animators to distribute works online in a format called "original net anime" (ONA).[18] The home distribution of anime releases were popularized in the 1980s with the VHS and Laser Disc formats.[7]:14 The VHS NTSC video format used in both Japan and the United States is credited as aiding the rising popularity of anime in the 1990s.[7]:14 The Laser Disc and VHS formats were transcended by the DVD format which offered the unique advantages; including multiple subtitling and dubbing tracks on the same disc.[7]:15 The DVD format also has its drawbacks in the its usage of region coding; adopted by the industry to solve licensing, piracy and export problems and restricted region indicated on the DVD player.[7]:15 The Video CD (VCD) format was popular in Hong Kong and Taiwan, but became only a minor format in the United States that was closely associated with bootleg copies.[7]:15 History Main article: History of anime A cel from the earliest surviving Japanese animated short, produced in 1917 Anime arose in the early 20th century, when Japanese filmmakers experimented with the animation techniques also pioneered in France, Germany, the United States and Russia.[11] A claim for the earliest Japanese animation is Katsudō Shashin, an undated and private work by an unknown creator.[19] In 1917, the first professional and publicly displayed works began to appear. Animators such as Ōten Shimokawa and Seitarou Kitayama produced numerous works, with the oldest surviving film being Kouchi's Namakura Gatana, a two-minute clip of a samurai trying to test a new sword on his target only to suffer defeat.[15][20][21] The 1923 Great Kantō earthquake resulted in widespread destruction to Japan's infrastructure and the destruction of Shimokawa's warehouse, destroying most of these early works. By the 1930s animation was well established in Japan as an alternative format to the live-action industry. It suffered competition from foreign producers and many animators, such as Noburō Ōfuji and Yasuji Murata, who still worked in cheaper cutout animation rather than cel animation.[22] Other creators, such as Kenzō Masaoka and Mitsuyo Seo, nonetheless made great strides in animation technique; they benefited from the patronage of the government, which employed animators to produce educational shorts and propaganda.[23] The first talkie anime was Chikara to Onna no Yo no Naka, produced by Masaoka in 1933.[24][25] By 1940, numerous anime artists' organizations had risen, including the Shin Mangaha Shudan and Shin Nippon Mangaka.[26] The first feature length animated film was Momotaro's Divine Sea Warriors directed by Seo in 1944 with sponsorship by the Imperial Japanese Navy.[27] A frame from Momotaro's Divine Sea Warriors (1944), the first feature-length anime film The success of The Walt Disney Company's 1937 feature film Snow White and the Seven Dwarfs profoundly influenced many Japanese animators.[28] In the 1960s, manga artist and animator Osamu Tezuka adapted and simplified many Disney animation techniques to reduce costs and to limit the number of frames in productions. He intended this as a temporary measure to allow him to produce material on a tight schedule with inexperienced animation staff.[29] Three Tales, aired in 1960, was the first anime shown on television. The first anime television series was Otogi Manga Calendar, aired from 1961 to 1964. The 1970s saw a surge of growth in the popularity of manga, Japanese comic books and graphic novels, many of which were later animated. The work of Osamu Tezuka drew particular attention: he has been called a "legend"[30] and the "god of manga".[31][32] His work – and that of other pioneers in the field – inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (known as "mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and The Super Dimension Fortress Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptance in those markets in the 1990s and even more at the turn of the 21st century. In 2002, Spirited Away, a Studio Ghibli production directed by Hayao Miyazaki won the Golden Bear at the Berlin International Film Festival and in 2003 at the 75th Academy Awards it won the Academy Award for Best Animated Feature. Genres Anime are often classified by target demographic, including kodomo (children's), shōjo (girls'), shounen (boys') and a diverse range of genres targeting an adult audience. Shoujo and shounen anime sometimes contain elements popular with children of both sexes in an attempt to gain crossover appeal. Adult anime may feature a slower pace or greater plot complexity that younger audiences typically find unappealing, as well as adult themes and situations.:44–48 A subset of adult anime works feature pornographic elements and are labeled "R18" in Japan, but internationally these works are grouped together under the term hentai (Japanese for "pervert"). By contrast, a variety of anime sub-genres across demographic groups incorporate ecchi, sexual themes or undertones without depictions of sexual intercourse, as typified in the comedic or harem genres; due to its popularity among adolescent and adult anime enthusiasts, incorporation of ecchi elements in anime is considered a form of fan service.[33][34]:89 Anime's genre classification is different from other types of animation and does not lend itself to simple identity.[7]:34 Gilles Poitras compared the labeling Gundam 0080 and its complex depiction of war as a "giant robot" anime akin to simply labeling War and Peace a "war novel".[7]:34 Science fiction is a major anime genre and includes important historical works like Tezuka's Astro Boy and Yokoyama's Tetsujin 28-go. A major sub-genre of science fiction is mecha, with the Gundam metaseries being iconic.[7]:35 The diverse fantasy genre includes works based on Asian and Western traditions and folklore; examples include the Japanese feudal fairytale InuYasha, and the depiction of Scandinavian goddesses who move to Japan to maintain a computer called Yggdrasil in Oh My Goddess.[7]:37–40 Genre crossing in anime is also prevalent, such as the blend of fantasy and comedy in Dragon Half, and the incorporation of slapstick humor in the crime anime Castle of Cagliostro.[7]:41–43 Other subgenres found in anime include magical girl, harem, sports, martial arts, literary adaptations and war.[7]:45–49 Genres have emerged that explore homosexual romances. While originally pornographic in terminology, yaoi (male homosexuality) and yuri (female homosexuality) are broad terms used internationally to describe any focus on the themes or development of romantic homosexual relationships. Prior to 2000, homosexual characters were typically used for comedic effect, but some works portrayed these characters seriously or sympathetically.[7]:50 Attributes Anime artists employ many distinct visual styles Anime differs greatly from other forms of animation by its diverse art styles, methods of animation, its production, and its process. Visually, anime is a diverse art form that contains a wide variety of art styles, differing from one creator, artist, and studio. While no one art style predominates anime as a whole, they do share some similar attributes in terms of animation technique and character design. Any other visual variation falls under the artists as they see fit. Animation technique Anime follows the typical production of animation, including storyboarding, voice acting, character design, and cel production. Since the 1990s, animators have increasingly used computer animation to improve the efficiency of the production process. Artists like Noburō Ōfuji pioneered the earliest anime works, which were experimental and consisted of images drawn on blackboards, stop motion animation of paper cutouts, and silhouette animation.[35][36] Cel animation grew in popularity until it came to dominate the medium. In the 21st century, the use of other animation techniques is mostly limited to independent short films,[37] including the stop motion puppet animation work produced by Tadahito Mochinaga, Kihachirō Kawamoto and Tomoyasu Murata.[38][39] Computers were integrated into the animation process in the 1990s, with works such as Ghost in the Shell and Princess Mononoke mixing cel animation with computer-generated images.[7]:29 Fuji Film, a major cel production company, announced it would stop cel production, producing an industry panic to procure cel imports and hastening the switch to digital processes.[7]:29 Prior to the digital era, anime was produced with traditional animation methods using a pose to pose approach.[35] The majority of mainstream anime uses fewer expressive key frames and more in-between animation.[40] Japanese animation studios were pioneers of many limited animation techniques, and have given anime a distinct set of conventions. Unlike Disney animation, where the emphasis is on the movement, anime emphasizes the art quality and let limited animation techniques make up for the lack of time spent on movement. Such techniques are often used not only to meet deadlines but also as artistic devices.[41] Anime scenes place emphasis on achieving three-dimensional views, and backgrounds are instrumental in creating the atmosphere of the work.[11] The backgrounds are not always invented and are occasionally based on real locations, as exemplified in Howl's Moving Castle and The Melancholy of Haruhi Suzumiya.[42][43] Oppliger stated that anime is one of the rare mediums where putting together an all-star cast usually comes out looking "tremendously impressive".[44] The cinematic effects of anime differentiates itself from the stage plays found in American animation. Anime is cinematically shot as if by camera, including panning, zooming, distance and angle shots to more complex dynamic shots that would be difficult to produce in reality.[7]:58[45][46] In anime, the animation is produced before the voice acting, contrary to American animation which does the voice acting first; this can cause lip sync errors in the Japanese version.[7]:59 Characters Body proportions of human anime characters tend to accurately reflect the proportions of the human body in reality. The height of the head is considered by the artist as the base unit of proportion. Head heights can vary, but most anime characters are about seven to eight heads tall.[47] Anime artists occasionally make deliberate modifications to body proportions to produce super deformed characters that feature a disproportionately small body compared to the head; many super deformed characters are two to four heads tall. Some anime works like Crayon Shin-chan completely disregard these proportions, such that they resemble Western cartoons. A common anime character design convention is exaggerated eye size. The animation of characters with large eyes in anime can be traced back to Osamu Tezuka, who was deeply influenced by such early animation characters as Betty Boop, who was drawn with disproportionately large eyes. Tezuka is a central figure in anime and manga history, whose iconic art style and character designs allowed for the entire range of human emotions to be depicted solely through the eyes.[7]:60 The artist adds variable color shading to the eyes and particularly to the cornea to give them greater depth. Generally, a mixture of a light shade, the tone color, and a dark shade is used.[48][49] Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign.[50] However, not all anime have large eyes. For example, the works of Hayao Miyazaki are known for having realistically proportioned eyes, as well as realistic hair colors on their characters.[51] Anime and manga artists often draw from a defined set of facial expressions to depict particular emotions Hair in anime is often unnaturally lively and colorful or uniquely styled. The movement of hair in anime is exaggerated and "hair action" is used to emphasize the action and emotions of characters for added visual effect.[7]:62 Poitras traces hairstyle color to cover illustrations on manga, where eye-catching artwork and colorful tones are attractive for children's manga.[7]:61 Despite being produced for a domestic market, anime features characters whose race or nationality is not always defined, and this is often a deliberate decision, such as in the Pokémon animated series.[52] Anime and manga artists often draw from a common canon of iconic facial expression illustrations to denote particular moods and thoughts.[53] These techniques are often different in form than their counterparts in Western animation, and they include a fixed iconography that is used as shorthand for certain emotions and moods.[54] These expression are often exaggerated and are typically comedic in nature. For example, a male character may develop a nosebleed when aroused, stemming from a Japanese old wives' tale.[54] A variety of visual symbols are employed, including sweatdrops to depict nervousness, visible blushing for embarrassment, or glowing eyes for an intense glare.[55]:52 Music The opening and credits sequences of most anime television episodes are accompanied by Japanese pop or rock songs, often by reputed bands. They may be written with the series in mind, but are also aimed at the general music market, and therefore often allude only vaguely or not at all to the themes or plot of the series. Pop and rock songs are also sometimes used as incidental music ("insert songs") in an episode, often to highlight particularly important scenes. More often than not, background music is employed as an added flavor to series either to drive story plot lines or to simply to decorate particular scenes and animated sequences. Furthermore, some series offer all applied music available in the form of OST, or original soundtracks.[56] Industry The animation industry consists of more than 430 production companies with some of the major studios including Toei Animation, Gainax, Madhouse, Gonzo, Sunrise, Bones, TMS Entertainment, Nippon Animation, Studio Pierrot and Studio Ghibli.[55]:17 Many of the studios are organized into a trade association, The Association of Japanese Animations. There is also a labor union for workers in the industry, the Japanese Animation Creators Association. Studios will often work together to produce more complex and costly projects, as done with Studio Ghibli's Spirited Away.[55]:17 An anime episode can cost between US$100,000 and US$300,000 to produce.[57] In 2001, animation accounted for 7% of the Japanese film market, above the 4.6% market share for live-action works.[55]:17 The popularity and success of anime is seen through the profitability of the DVD market, contributing nearly 70% of total sales.[55]:17 Spirited Away (2001) is the highest-grossing anime film, with US$274,925,095.[58] The anime market for the United States was worth approximately $2.74 billion in 2009.[59] Dubbed animation began airing in the United States in 2000 on networks like The WB and Cartoon Network's Adult Swim.[55]:18 In 2005, this resulted in five of the top ten anime titles having previously aired on Cartoon Network.[55]:18 As a part of localization, some editing of cultural references may occur to better follow the references of the non-Japanese culture.[60] The cost of English localization averages US $10,000 per episode.[61] The industry has been subject to both praise and condemnation for fansubs, the addition of unlicensed and unauthorized subtitled translations of anime series or films.[55]:206 Fansubs, which were originally distributed on VHS bootlegged cassettes in the 1980s, have been freely available and disseminated online since the 1990s.[55]:206 Fansubbers tend to adhere to an unwritten code to destroy or no longer distribute an anime once an official translated or subtitled version becomes licensed, although fansubs typically continue to circulate through file sharing networks.[55]:207 Legal international availability of anime on the internet has changed in recent years, with simulcasts of series available on websites like Crunchyroll. Awards The anime industry has several annual awards which honor the year's best works. Major annual awards in Japan include the Ōfuji Noburō Award, the Mainichi Film Award for Best Animation Film, the Animation Kobe Awards, the Japan Media Arts Festival animation awards, the Tokyo Anime Award and the Japan Academy Prize for Animation of the Year. In the United States, anime films compete in the ICv2.com Anime Awards[55]:257–258 There were also the American Anime Awards, which were designed to recognize excellence in anime titles nominated by the industry, and were held only once in 2006.[55]:258 Anime productions are also nominated and win awards not exclusively for anime. Influence on world culture Akihabara district of Tokyo is the center of otaku subculture in Japan. Anime has become commercially profitable in Western countries, as demonstrated by early commercially successful Western adaptations of anime, such as Astro Boy. Since the 19th century, many Westerners have expressed a particular interest towards Japan and anime has dramatically exposed more Westerners to the culture of Japan. Fan response Anime clubs gave rise to anime conventions in the 1990s with the "anime boom", a period marked by increased popularity of anime.[7]:73 These conventions are dedicated to anime and manga and include elements like cosplay contests and industry talk panels.[55]:211 Cosplay, a portmanteau for "costume play", is not unique to anime and has become popular in contests and masquerades at anime conventions.[55]:214–215 Japanese culture and words have entered English usage through the popularity of the medium, including otaku, a derogatory Japanese term commonly used in English to denote a fan of anime and manga.[55]:195 Anime enthusiasts have produced fan fiction and fan art, including computer wallpaper and anime music videos.[55]:201–205 12671
The Flood / Re: Sep7agon is run by the Illuminati« on: November 26, 2014, 05:43:09 AM »illumitooty is luvillumitooty is lyf 12672
The Flood / Re: Guess where I'm at?« on: November 26, 2014, 05:41:39 AM »Kill Harlow, scream that a terrorist killed him, pin it on Jay, watch as frightened, trigger happy police gun her down.I think Harlow and Jay are there too right now. You should say hi.Perfect assassination opportunity 12674
ByrneGet hit by debris. 12676
fuck you downvoted 12678
The Flood / Re: Regarding recent events in a city I shall not name...« on: November 26, 2014, 04:36:27 AM »
I laughed.
12680
12681
12682
Byrne.so.. how?But the question is.Byrne. ![]() 12683
The Flood / Re: Video game characters that resemble or somewhat resembles you« on: November 26, 2014, 04:04:22 AM »OkYou're a beautiful Angel hunter with glasses obviously.watI could probably cosplay this guy.Pls 12684
Byrne.so.. how?But the question is.Byrne. ![]() 12685
The Flood / Re: Video game characters that resemble or somewhat resembles you« on: November 26, 2014, 03:59:02 AM »watI could probably cosplay this guy.Pls 12686
The Flood / Re: How old are you, bbys?« on: November 26, 2014, 03:53:47 AM »rektWhy is everyone oldBecause youre young 12687
The Flood / Re: Video game characters that resemble or somewhat resembles you« on: November 26, 2014, 03:37:06 AM »I can't think of any flamboyantly sassy feminine guy characters.>90% of all JRPG characters 12688
The Flood / Re: Official Wikipedia articles thread« on: November 26, 2014, 03:31:25 AM »
Reported
12690
The Flood / Re: What's a synonym for "run away"?« on: November 26, 2014, 03:17:48 AM »Naru is a にげるWell that explains him. |