somebody in the show had to die
the main thing that bothered me is that chad got the girl and Jonathan got cucked reeee
It's Super 8 with more filler.
Quote from: Fox "Turkey" Mulder on July 30, 2016, 03:28:29 PMIt's Super 8 with more filler.Except Super 8 was a tryhard piece of shit, and Stranger Things has no filler at all. Every single line develops the plot or characters in some way. It's like you're constantly going out of your way to have the most fucking retarded opinions imaginable.
Quote from: SecondClass on July 30, 2016, 03:33:05 PMQuote from: Fox "Turkey" Mulder on July 30, 2016, 03:28:29 PMIt's Super 8 with more filler.Except Super 8 was a tryhard piece of shit, and Stranger Things has no filler at all. Every single line develops the plot or characters in some way. It's like you're constantly going out of your way to have the most fucking retarded opinions imaginable.I really like Stranger Things. The comparison to Super 8 wasn't an insult, and there's a lot of respect paid to Spielberg in the series. As for filler, almost all of the adults' story arcs are expository in nature. They exist to complete the world, but rarely add anything to the story.
I liked it but the fact that at the end the kid spit out that worm or whatever and was transported to that world for a few seconds was really lame. Come up with a new story for Season 2, don't regurgitate Season 1.
Quote from: SecondClass on July 30, 2016, 07:03:16 PMQuote from: challengerX on July 30, 2016, 06:57:12 PMI liked it but the fact that at the end the kid spit out that worm or whatever and was transported to that world for a few seconds was really lame. Come up with a new story for Season 2, don't regurgitate Season 1.season 2 needs way more winonaNeeds more Sherrif man, easily one of the most bad ass characters on TV for a long time.
Quote from: challengerX on July 30, 2016, 06:57:12 PMI liked it but the fact that at the end the kid spit out that worm or whatever and was transported to that world for a few seconds was really lame. Come up with a new story for Season 2, don't regurgitate Season 1.season 2 needs way more winona
Quote from: Azumarill on July 28, 2016, 10:49:55 PMthe staties did a good job convincing everyone she ran awaywhat i want to know is how the fuck did jonathan know about the smiths in 1983They had a few singles out in '83. There are discrepancies like that, though. Like, apparently the song Steve and his friends play in his car on the way to Nancy's didn't come out till later.
the staties did a good job convincing everyone she ran awaywhat i want to know is how the fuck did jonathan know about the smiths in 1983
It's not filler, it's just a narrative structure you're not used to.
Quote from: Fox "Turkey" Mulder on July 30, 2016, 09:36:20 PMQuote from: SecondClass on July 30, 2016, 04:17:28 PMIt's not filler, it's just a narrative structure you're not used to.Narrative structure doesn't have anything to do with it; a lot of what Joyce does, for example, has no impact on the story and exists just to have her character doing things. The entirety of the scenes in her house with the lights have no bearing on the plot or other characters until Nancy and Jonathan stumble into it, and even then it ultimately leads to the monster escaping and nothing getting done. It also makes the "rules" of the alternate dimension kind of confusing: can the monster appear anywhere? How can Will interact with the lights when there's seemingly no overlap between the two dimensions anywhere else, and he's shown to be exhausted and unconscious? Why is the gate so important if the monster can manifest anywhere it wants? Those are rhetorical, and I'm not criticizing it for being filler, I'm answering the title of the thread.Shit opinions.
Quote from: SecondClass on July 30, 2016, 04:17:28 PMIt's not filler, it's just a narrative structure you're not used to.Narrative structure doesn't have anything to do with it; a lot of what Joyce does, for example, has no impact on the story and exists just to have her character doing things. The entirety of the scenes in her house with the lights have no bearing on the plot or other characters until Nancy and Jonathan stumble into it, and even then it ultimately leads to the monster escaping and nothing getting done. It also makes the "rules" of the alternate dimension kind of confusing: can the monster appear anywhere? How can Will interact with the lights when there's seemingly no overlap between the two dimensions anywhere else, and he's shown to be exhausted and unconscious? Why is the gate so important if the monster can manifest anywhere it wants? Those are rhetorical, and I'm not criticizing it for being filler, I'm answering the title of the thread.
Are you braindead? Serious question
Re: Worst yet best thing about "Stranger Things"