The new Kong is “much larger,” which Vogt-Roberts says cuts to the core of the new film. “The film takes place in the ’70s,” he explains. “The ’70s was a time where it was believable that we could still be confronted with myth. And there was still unknown in the world.” At the start of the decade, NASA launched a satellite program later known as LANDSAT, which involved satellites mapping the world from space – the end of that “unknown.” In the film, “this island pops up,” leading the characters to investigate.Hiddleston plays an ex-British SAS tracker; Larson is a war photographer, “who’s seen all sorts of terrible, terrible things.” Vogt-Roberts avoids any specific details about what they find on the island, but he’s adamant about what they don’t find. “We’re very explicitly not telling the beauty and the beast story,” he says. “The original is a classic, the ’70s version is great for what it is, and Peter’s version is a great retelling of the 1933 film.”Instead, Skull Island digs into the mythos of Kong’s homeland. And a key part of that mythos is, well, size. “The thing that most interested me was, how big do you need to make [Kong], so that when someone lands on this island and doesn’t believe in the idea of myth, the idea of wonder – when we live in a world of social and civil unrest, and everything is crumbling around us, and technology and facts are taking over – how big does this creature need to be, so that when you stand on the ground and you look up at it, the only thing that can go through your mind is: ‘That’s a god.’” Pretty big, we’re guessing? “You will see when we drop a trailer,” Vogt-Roberts teases.
the one true God is Doctor Doom and we should all be worshiping him.
Try as I might, I can't see Tom Hiddleston as a badass SAS guy. Or a badass anything, really.